About

A writer from a town that no longer fishes

Novelist, essayist, occasional teacher. Three books, nine languages, one stretch of coast.

Portrait of novelist Wren Hollis resting her chin on her arms in soft natural light

Photo: Ida Marchetti. Download hi-res in the press kit.

Biography

Listening closely, taking everything down

Wren Hollis is the author of three books set along the same stretch of northern coast. Her work has been shortlisted for the Coastal Fiction Prize and translated into nine languages.

She grew up in a fishing town that no longer fishes, the daughter of a harbor master and a piano teacher, and spent a decade as a court stenographer before her first stories appeared in print. That job — listening closely, taking everything down, judging nothing — is still how she describes the work.

Her debut collection, A Field Guide to Leaving, won the Harbor First Book Award. Her second book, What the River Keeps, was a national bestseller and a Book-of-the-Year pick at three independent bookstores. The Salt Orchard is her third.

She teaches a small fiction workshop each spring, speaks to book clubs by video most Thursday evenings, and is represented by Tamsin Oyelaran at Kestrel Literary.

Writes

5 a.m. to 9 a.m., longhand first

Lives

A drafty house near Port Ellery, Maine

Taught

Fiction workshops for 11 years

Rereads

Housekeeping, every October

Speaking & workshops

Talks that feel like a conversation

Wren speaks at festivals, libraries, universities and bookstores, and teaches a small spring workshop each year. She is warm on stage, allergic to slides, and always stays to sign.

Enquire about dates
An attentive audience seated in an intimate arts venue listening to an author in conversation
Two writers reading and taking notes at a wooden table during a fiction workshop
  1. 01

    Writing the place you left

    A craft talk on setting as character, and how to write home without nostalgia. 45–60 minutes, with Q&A.

  2. 02

    The arithmetic of care

    On sisters, inheritance and the novels that taught her to write about family money honestly. Keynote or conversation.

  3. 03

    The two-day fiction workshop

    Twelve writers, close reading, generative prompts and one long walk. Offered to arts centers, libraries and MFA programs.

Honoraria are shared with the host’s literacy partner wherever one exists. Travel from Portland, Maine.

On the work

Across three books

Quotes shown are sample press copy. Replace them with your own reviews, blurbs and reader notes.

“Hollis writes the coast the way other people write about lovers — with attention, grievance, and a loyalty that outlasts sense.”

The Literary Review, on What the River Keeps

“A debut of unusual restraint. Each story ends a beat before you expect, and the silence does the rest.”

Northern Lights Books, on A Field Guide to Leaving

“Her sentences are plain the way a good table is plain: you could put anything on them.”

The Weekend Books Page

“The rare literary novelist whose events sell out — because she is as generous in a room as she is on the page.”

Driftwood Books, bookseller’s note

Keep reading

Start with the new one

The Salt Orchard is out March 17. Pre-order from any bookseller, or come to a launch event and have it signed.